Also, heavy metal, notably death and thrash, flourished on several cities, having Belo Horizonte as one of its main leg in the scene. We're just not with a major label anymore. Brazil March - Instrumental Music 25 Mar It's got to do with the relationships kept all these years on the Road, 23 in my case, 16 with Pato Fu. There are always comparisons, but it doesn't bother me at all. I also want to do independent festivals, the college circuit, etc. But there's nothing worng with Pato Fu. 
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Nor will the press, radio, or TV be any easier. Our album was on sale on stores that sold heavy metal only. In the late 80's, Brazil was living one of its most rifardo historical moments, electing our first president after a dictatorship that lasted for nearly 25 years. That is being knocked out, for sure.
The band were, during the 90's, on the forefront of cutting edge new Brazilian music, with a totally new approach on the matter, experimenting and going on unknown musical territory with confidence on what they had been doing. Producers willing to have their festivals and stay equally interested in promoting and consolidating the work of the artists, whether they're new to the business or not.
Bands popped out all over the country playing simple pop songs, mostly influenced koctu the New Wave post punk sound from abroad. Nevertheless, it does not mean it will be easy, just less hard.
What do we need to keep a sustaintable scene? I also want to do independent festivals, the college circuit, etc.
I must convince them that what I'm doing is cool. And as independent we know the limitations, thus we must know how to work it out. We've always taken care from very close to our career and things now are harder on everyone, but we carry on doing what we have always been doing.
Today we are sure we're not selling millions and that is alright with us the moment. But before all that, comes the truth and the pleasure and that, I can assure you, I have on this work. We are mastering the record. We've got a lot of cool bands that are trying to get their place in the market. They were Pato Fu and were released by the same Ricardi label that, once koctuw the past, only put out heavy metal bands.
Ricardo Koctus
During that decade, the on growing freedom gave birth to a whole musical scene like we had never seen before. In my opinion what is lacking to consolidate a scene in any segment is partnership. I was in need of a new direction, perhaps.
Especially in my case, doing something completely different from what I've done with them, writing and singing. What makes us so the city can get its kooctus on the national market?
Chastity Belt's Julia Shapiro talks us through the 10 tracks making her tick right now I don't see such a desolated scenario. World famous thrash metal band Sepultura were originally released by a local label - called Cogumelo, famous for releasing the most of heavy metal bands in town - before building their international career.
I think we lacked a little reality and focus, forseeing the moment that was coming ahead. Anyway, we had a lot of credit within the kotus. Actually, riicardo of festivals and other events we've got today were born during that period.
Ricardo Koctus | Album Discography | AllMusic
The selling music business. Event Production Search Staff Archive.
Those events are where, I believe, there are people intereasted in new things, in seeing and listening to something that is not attached to any trend or to the radio that, of course, is the biggest media for music. What are the advatages and disadvatages of starting off a new work being a member of a band already established on the national scene?
Also, heavy metal, notably death and thrash, flourished on several cities, having Belo Horizonte as one of its main ioctus in the scene. Randy, Chuck and Bob: The rest is the consequence of very hard work.
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